Product description
At the end of the 15th century, the close helmet developed from the armet and later versions of the sallet. This type of helmet strongly resembles the armet and became, until the early 17th century, a symbol of the European aristocracy. It was worn in formal portraits, during tournaments, and on the battlefield by heavily armored cuirassiers armed with rapiers and wheellock pistols. Like the armet, the close helmet fully enclosed the head.
Although the close helmet looked very similar to the armet, it opened in a completely different way. Like the armet, the close helmet followed the contours of the head and neck and narrowed at the throat, requiring a mechanism to open and close it. While an armet opened sideways via two large hinged cheekpieces, a close helmet opened vertically using an integrated rotating bevor, attached at the same pivot points as the visor. The moving parts were usually locked with rotating catches that fit into pierced brackets or with spring-loaded pins. The bevor was often kept closed with a strap.
In the early 16th century, under the Tudors, a new armour style developed in England that would have a major influence on armour across Europe. Henry VIII commissioned specialist armourers from France, Italy, and the Holy Roman Empire to work together for him. This resulted in the Greenwich style, where armour—sometimes richly decorated—followed the shapes of contemporary clothing. Around this time, cuirasses and tassets often imitated the fashionable clothing of the period.
To protect the head, full helmets and later burgonets were worn, sometimes decorated with grotesque visors for parades or festivities. Open helmets such as the cabasset or morion also became very popular. By the 17th century, armour across Europe followed this style.
Close helmets in the Greenwich style are characterized by an upward-pointing visor shaped like a ship’s prow. Helmets of this style were extremely popular among the European aristocracy, and some were lavishly decorated. The crest on this helmet is influenced by the all’antica style that emerged in Italy in the first half of the 16th century. During the Renaissance, there was a particular interest in classical antiquity, which influenced the development of plate armour. The steel crest stylized the helmet crests of Roman legionaries, allowing the wearer to associate themselves with this glorious past.
This helmet is suitable for light combat re-enactment. It has a blackened interior with padding and an adjustable chin strap. It covers both the head and neck for good protection—perfect for 16th-century costumes and reenactment.
